22:27 Digital art.
At Ars Electronica in Linz, I was struck by the amazing pieces exhibited, and more so by the Ars Electronica center. It is set very near to a bridge on the Danube river.The Exhibitions archive page uses a schematic of the center to give you an idea of what is curated where.
The outdoor space atop the main gallery and before the future lab space seems to tie the old architecture of the church to the futuristic style of the Ars Center. Click on the image below for a larger size, the church is to the left of the future lab stairs.
It is one of those buildings that people either love or hate…I loved it. At night, the LED lights that line the outer glass wall change color. Something like a nocturnal visual surprise every time you glance at it.
The festival itself is something to experience. Since its now over, i would highly recommend visiting the Ars Electronica center to see some of the pieces that formed a benchmark of the festival. Besides, I am convinced that Linz would make a perfect location for any techy, futuristic or even a good action movie. Be it Minority Report 2 or next Bond 007, I can totally vouch for the stunning imagery it would evoke if someone like Daniel Craig would rappel down the Ars Center and straight into a boat on the Danube. (Spielberg, Soderberg, Wachowski brothers and whoever produces 007 – you are welcome 
)
Ahem, pardon my digression. Back to nerds needing art.
This has admittedly been a very busy year for me, and I have to admit that I did not expect it to be. With time, I’ve realized that being in the tech space can sometimes sap your sense of wonder. Or maybe its just me. If you are one of those people who feel mired in tech and sometimes feel like the ‘wow’ factor is gone when you see new innovations…and it elicits a bland ‘hmmm’ reaction and god forbid ‘meh’ – Well you need a healthy dose of art. Attending Ars Electronica helped me marvel again at what artists, architects, performance artists and idea mongers have to share. Below I will share afew of the pieces i particularly enjoyed, and provide some links to blogposts by the other wonderful speakers and friends from the Cloud Symposium.
Quartet is a Web-interactive robotic music installation. The machine you see in the live video feed is housed at an innovative museum in Linz, Austria, ARS Electronic. Seeing the machine live, inches away is an visceral experience that shows the real power of live music… and that robots can be a part of that experience. Visitors at the museum are able to enter melodies from a laptop in the museum for immediate interactivity
You play a short melody on the site Quartet.cc then you see the music interpreted onto the machine. Try it…
Since I have a thing for mobile phones (Nokia) I greatly enjoyed the robot controlled by bluetooth.
This is a picture of the phone.
This is the little robot it controls. How fun!
This is basically the livescribe pen on steroids. You can write and record audio which is digitized and transferable pdf docs or uploaded online. The steroids bit: The Anoto pen can be used to navigate a map, displaying relevant data on a big screen. For example, if you click on a specific point on the map of Linz, and would like to know the demographics of the region, you can tap on the legend provided on a page to give you stats on number of divorced people between the age of 21 and 45. This was preety cool because it combines maps, tactile input of using a pen and a digital display to add more data.
I got to play the loopscape game with the renowned tech journalist Cyrus Farivar. I really could claim victory, but really…it was a draw.
“loopScape” is an innovative video game for two players that blurs the conventional distinction between good and evil, between “my side” and “the opposition.”
The action doesn’t take place on a flat display but rather on a 360° band arrayed around the edge of a ceiling-suspended metal “doughnut” that’s circumnavigated during play. The object is to shoot down the opponent. But be careful! If a fired missile misses its target, it continues on its trajectory and threatens to strike from behind the game figure that launched it.
This loopscape game is a form of interactive device art, and for some reason, it brought to mind the idea of participatory art. Something that Wambui, Sciculturist and I were discussing at RAMOMA gallery in Nairobi. Check out this ‘Watoto Wa Kwetu’ piece by Wambui. More pics are on this flickr set. I think the loopscape game has participatory qualities just like the Watoto wa kwetu paintings, because both pieces are best experienced with others. There are some observations that Wambui made on the Watoto wa kwetu paintings that I would not have noticed. Do note that the paintings are done by a group of children, and not one artist. So, there is that aspect too.
This is just but a sampling of what was in store at Linz. I havent even touched on the animations. I hope you enjoy the perspectives shared by the others on the Cloud Symposium blog, videos posted there and the following links too.
Kristen Taylor – Mosaics, food and the cloud If you are wondering about her cool dress, its vintage. I had to ask I am not much of a beer drinker, so her suggestion to get some Secco (Austrian white sparkling wine) with our dinner was just invaluable.
David Sasaki – An outsider’s guide to Linz Indispensable. His talk about cloud intelligence provided the framework for discussion that day.
I keep digressing from this nerds need art theme, but hopefully i can tie it all together.
In the quest to not lose your sense of wonder, sometimes you need to look inward, be quiet and just think about the bigger picture. To find the creative place. If you’ve ever used the words ‘code is poetry’ ‘Math is elegant’ or ‘no doubt the universe is unfolding as it should’. There is this need to look inward, to find that inner muse and embrace the imagination. I think whenever you need to go to such a place, art can provide that gateway.
The Thinking Chair by Arthur Ganson
Where does inanimate material end and where does life begin? Arthur Ganson lets his “Thinking Chair” straddle the boundary between those two states. Through its movements—which resemble the gait of a human being walking on two legs—the chair exhibits animate traits. Arthur Ganson had the idea that led to this work while taking a walk. Near his studio, there is a small rock outcropping on a trail, which he likes to walk around in slow circles, deep in thought. During this walking meditation, each cycle finds him back in the same physical place but in a slightly different emotional place
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